Legend has said that during the Guangxu period of the Qing Dynasty (1885), there was a big plague in the Yanshuei District. The people prayed for miracles to come, and set off firecrackers along the way until dawn. After the pilgrimage was over, the Yanshuei District epidemic subsided, and the people were grateful for the grace of God. Every year the fireworks was followed and developed into today's Yanshuei Beehive fireworks Festival.

This season, inspired by the Yanshuei Beehive fireworks Festival, to play with the pattern and printing of the clothing. Concentric circles structures are used to pay tribute to the blooming of the beehive fireworks, and the structure of scattering and gathering is used. Inheriting the unique feature of the INF brand "multiple wear in one garment", Created a variety of functional designs that continue the deformation of the concentric circle structure; in addition to playing with the Taiwanese Yanshuei Beehive fireworks with the structural characteristics of INF, INF also collaborate with international installation artists to forge an art installation that reproduces the appearance of being in Yanshuei Beehive fireworks Festival array through sound, light and digital technology, and advocated a zero-pollution and more environmentally friendly form of Beehive fireworks Festival performance.

In the post-epidemic era, INF, through the combination of fashion and Bee hive fireworks culture, advocated the concept of Bee hive fireworks pilgrimage to disperse the epidemic and every cloud has a silver lining. This season's theme "Kî-Tó" is a pronunciation in Taiwanese of the word prayer, praying that through the digital fashion Beehive fireworks Festival of this season, it can also dispel the end of the epidemic for us and let us live again.